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・ Mark Carlson (offensive tackle)
・ Mark Carlson (quarterback)
・ Mark Carlson (umpire)
・ Mark Carne
・ Mark Carnevale
・ Mark Carney
・ Mark Carpenter-Garnier
・ Mark Carreon
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Mark Bryan (artist)
・ Mark Bryant
・ Mark Bryant (basketball)
・ Mark Bryant (bishop)
・ Mark Bryant (rugby league)
・ Mark Bryant (soccer)
・ Mark Brydon
・ Mark Brzezicki
・ Mark Brzezinski
・ Mark Bucci
・ Mark Buchanan
・ Mark Buckingham
・ Mark Buckland
・ Mark Buckley
・ Mark Budaska


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Mark Bryan (artist) : ウィキペディア英語版
Mark Bryan (artist)

Mark Bryan (born May 24, 1950) is an American painter. Bryan's work travels in two distinct directions. Satirical works of social, political and religious comment and works which take an inward track to the imagination and subconscious. Humor and parody play a large role in many of his paintings. Style elements and influences in his work include classical painting, illustration, Romanticism, Surrealism and Pop Surrealism.
==Early Life and Influences==
Raised in the middle class suburbs of Los Angeles County during the 1950s and 60s, Bryan was immersed in the popular culture of that time and place. Low budget Sci-Fi and horror movies, Super hero comic books, Mad Magazine, surrealist art and later the psychedelic work of Zap Comix artists such as Robert Crumb and Robert Williams were all part of the esthetic and psychological mix surrounding him. These influences combined with significant political events (which included The Red Scare, Civil Rights Movement and the Vietnam War) shaped and promoted an early political awareness and continues to affect the style and content of his work.
Leaving Los Angeles in 1968 Bryan studied architecture at Cal Poly San Luis Obispo. He returned to Los Angeles in 1970 to begin study at Otis Art Institute. While completing his master's degree, Bryan shared a house and studio with Carlos Almaraz and Frank Romero. Almaraz and Romero along with Roberto De La Rocha and Gilbert Lujan founded the influential Chicano artist collective Los Four. Almaraz introduced Bryan to the Mexican Muralists’ work of the early 20th century. (Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros) This exposure reinforced his belief in the value of accessible work with social/political content. In 1974 Bryan assisted Almaraz in creating a mural backdrop for the first convention of the United Farm Workers union.
Bryan cites as his earliest influences, science fiction movies and illustration, the Surrealists, Salvador Dalí, Max Ernst and René Magritte. Later influences include the American Scene painters, Thomas Hart Benton, Edward Hopper, Grant Wood and illustrator N.C. Wyeth. In addition to the Mexican muralists, influence by artists with social/political content in their work include Francisco Goya, Honoré Daumier, Gustave Doré, Thomas Nast, Otto Dix, and George Grosz.

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